With the participation of Company Platform88, Luis Torreão presents a conference-performance, a sort of promenade through the history of corporeal mime from Étienne Decroux to the present day; from reconstructions of the master’s short works (as well as those by disciples such as Thomas Leabhart) to reinterpretations of contemporary pieces, resonating with our times...
Étienne Decroux (1898 - 1991) created his own vocabulary, a grammar of movement, a repertoire of performance styles and a series of protocols which gave rise to a whole new technique and approach to theatre. Drama founded upon the body of the actor and the dynamics of movement. But which aspects of this pioneering work have had a lasting impact, with clear echoes in the creations of contemporary artists? Modern corporeal mime has been shaped by the vision of various men and women who lay claim to its traditions. All have crafted their own approach to theatre, with different modes of composition.
Dialogues avec le répertoire examines the relationship between contemporary creation and modern mime as pioneered by Étienne Decroux. This has been an on-going project for four years now, led by Luis Torreão and his company (Hippocampe) along with Platform 88 and other guest artists. The project is based on the transmission and reconstruction of works from the canon of corporeal mime established in the latter half of the 20th century (a radical phase in which various currents of the avant-garde coexisted and collided, where aesthetics and politics went hand-in-hand).
Intervenants :
Luis TorreãoMentions légales
Plus d'infos
- Langue : Français
- Collection : Mimos 2016
- Origine géographique : France
- Date de captation : 26/07/2016
- Lieu de captation : Auditorium du Théâtre
- Durée de la vidéo : 1 h
Pictures
Contenus suggérés
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FranceHippocampe, Mangano-Massip, Zaï, Paon dans le ciment, Cia Moveo, Platform 88, Cirque Rouages, Les Éléphants Roses
L’immense diversité de la jeune création des arts gestuels.
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BrésilDirecteur artistique
Luis Torreao, formé par Thomas Leabhart, ancien élève et assistant d'Étienne Decroux, a suivi des études de journalisme et a été directeur artistique du Circo Voador au Brésil. En France, il a obtenu un Master d'études Théâtrales et un DE de Théâtre.
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France
Aux frontières du mime et du théâtre, la compagnie Hippocampe esquisse la possibilité d'un voyage dans l'expérience de l'homme à travers la mémoire qu'est le corps.
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Paru en 2003 - FrancePatrick Pézin